k995
Apr 20, 01:39 PM
Seriously the iPhone looks like Prada? I'd got to be blind to not notice that.
The google nexus s looks like an iphone? I'd got to be blind to not notice that.
yet the same criteria apple uses can be used on the prada.
But glad to see you find those arguments rubbish.
The only similarity is the rounded corners and even the rounded corners look very different.
What exactly is similar if I may know?
Rows of icons?
Dock at the bottom of screen?
Capacitive screen (prada was the first btw)
Button at the bottom, speaker above camera at the same place ,...
Enough simularities as the current charges of apple against samsung/htc and google .
The google nexus s looks like an iphone? I'd got to be blind to not notice that.
yet the same criteria apple uses can be used on the prada.
But glad to see you find those arguments rubbish.
The only similarity is the rounded corners and even the rounded corners look very different.
What exactly is similar if I may know?
Rows of icons?
Dock at the bottom of screen?
Capacitive screen (prada was the first btw)
Button at the bottom, speaker above camera at the same place ,...
Enough simularities as the current charges of apple against samsung/htc and google .
Macnoviz
Jul 20, 10:14 AM
At some point your going to have deminished returns. Sure multimedia apps can take advantage of a few more cores, but I dont see Mail running faster on 4 cores, nevermind 2!
How fast do you want mail to go? The main reasons you need good processors is not for browsing, e-mail, text, and such and such. I highly doubt someone who does all these things on a five year old computer will be much slower than someone on a 16 GB RAM top of the line Powermac
Why don't they just call it: Big Mac.
I think that's the best name I've heard in this thread (sorry, Chundles)
How fast do you want mail to go? The main reasons you need good processors is not for browsing, e-mail, text, and such and such. I highly doubt someone who does all these things on a five year old computer will be much slower than someone on a 16 GB RAM top of the line Powermac
Why don't they just call it: Big Mac.
I think that's the best name I've heard in this thread (sorry, Chundles)
bretm
Apr 11, 09:51 AM
Then that just begs the question, "why haven't these people left already?" FCP has been fairly stagnant for years. There are plenty of other alternatives, so doesn't that kinda make them fanboyish too for sticking it out when up to this point Apple has given zero hints about when or how it will take FCP to the next level?
I'm not in the video editing biz, but if the pro s/w I use in my profession hobbled my efficiency and workflow the way you are carping about FCP, and there were viable alternatives, I would abandon it quicker than pigeon can snatch a bread crumb. Just sayin'.
I'm an independent corporate video editor. Work out of the house. I've been doing NLE since 1993. I started with VideoCube, then Media 100, then Avid, and then FCP in 2001. Avid had to get really behind (and threaten to leave the mac platform) before post houses made the switch. They really screwed that up at NAB that year. They had been languishing on the mac apps and releasing certain products- Symphony, DS, etc. on Windows only for a few years and at NAB one sales guy said to someone that they would essentially be phasing out the mac platform. They denied it later, but it was probably their plan. Then FCP came out and for the corporate folks that didn't need to spend 70,000 on an Avid system, it was wonderful. In the years that followed it closed the gap immensely and Avid fought back with cheaper products and options. It became a either or situation, with FCP being the slightly cheaper option. But with the new tech in the last 2 years, Apple has to leap frog again.
But still, it's so much more than just the app. Which is why Adobe (which has all the features everyone wants in FCP) is having such a hard time getting anyone but hacks to use it. There is an installed user base and an entire generation of people trained on FCP & Avid. And it was just the above fluke that gave FCP an in. It's one thing for an individual like me to switch, but for a company that uses contractors and other companies and rely on compatibility and workflows and such, it's a nightmare. I work with independent producers, and their clients are usually large companies. All 3 of us are using FCP. If I switch, I make life hard on the producer who is cutting together rough ideas on her laptop. When we deliver product, we deliver a product and the FCP project and files so that the big company, who has editing facilites of their own, can make changes without our help in an emergency. It's part of why they feel comfortable going out of house.
It's the smaller turnkey shops that do it all in house that can afford to keep totally cutting edge and buy every upgrade. But truth is, most good editing should rely on cuts and dissolves. You need anything fancier audio or graphic wise, you should be hiring an audio professional or a graphics professional.
I have the Adobe Master collection myself because I dabble in AE, PS, Flash and Dreamweaver. But the web authoring has just gone crazy. I can't keep up with all that. And AE is starting to get that way too. For me, I would just like FCP to upgrade and/or reinvent itself so I can integrate new tech simpler. Better authoring for Blu-Ray and DVD. Better web options. Importing file formats without log and transfer BS. And lets tune it up to make it use all the processors and be a ridiculous powerhouse. High end features rivaling Avid, and the touch and elegance of Apple. Plus a few neat tricks like offline editing on iPad or using the iPad as a controller, etc. would be cool and welcome.
I'm not in the video editing biz, but if the pro s/w I use in my profession hobbled my efficiency and workflow the way you are carping about FCP, and there were viable alternatives, I would abandon it quicker than pigeon can snatch a bread crumb. Just sayin'.
I'm an independent corporate video editor. Work out of the house. I've been doing NLE since 1993. I started with VideoCube, then Media 100, then Avid, and then FCP in 2001. Avid had to get really behind (and threaten to leave the mac platform) before post houses made the switch. They really screwed that up at NAB that year. They had been languishing on the mac apps and releasing certain products- Symphony, DS, etc. on Windows only for a few years and at NAB one sales guy said to someone that they would essentially be phasing out the mac platform. They denied it later, but it was probably their plan. Then FCP came out and for the corporate folks that didn't need to spend 70,000 on an Avid system, it was wonderful. In the years that followed it closed the gap immensely and Avid fought back with cheaper products and options. It became a either or situation, with FCP being the slightly cheaper option. But with the new tech in the last 2 years, Apple has to leap frog again.
But still, it's so much more than just the app. Which is why Adobe (which has all the features everyone wants in FCP) is having such a hard time getting anyone but hacks to use it. There is an installed user base and an entire generation of people trained on FCP & Avid. And it was just the above fluke that gave FCP an in. It's one thing for an individual like me to switch, but for a company that uses contractors and other companies and rely on compatibility and workflows and such, it's a nightmare. I work with independent producers, and their clients are usually large companies. All 3 of us are using FCP. If I switch, I make life hard on the producer who is cutting together rough ideas on her laptop. When we deliver product, we deliver a product and the FCP project and files so that the big company, who has editing facilites of their own, can make changes without our help in an emergency. It's part of why they feel comfortable going out of house.
It's the smaller turnkey shops that do it all in house that can afford to keep totally cutting edge and buy every upgrade. But truth is, most good editing should rely on cuts and dissolves. You need anything fancier audio or graphic wise, you should be hiring an audio professional or a graphics professional.
I have the Adobe Master collection myself because I dabble in AE, PS, Flash and Dreamweaver. But the web authoring has just gone crazy. I can't keep up with all that. And AE is starting to get that way too. For me, I would just like FCP to upgrade and/or reinvent itself so I can integrate new tech simpler. Better authoring for Blu-Ray and DVD. Better web options. Importing file formats without log and transfer BS. And lets tune it up to make it use all the processors and be a ridiculous powerhouse. High end features rivaling Avid, and the touch and elegance of Apple. Plus a few neat tricks like offline editing on iPad or using the iPad as a controller, etc. would be cool and welcome.
anim8or
Apr 6, 07:52 AM
Ah delivery on a drive that would be nice although as we archive to SR I suspect we won't do it for a while.
Promo departments will only every get a DVD with time code across it from me as all to often I have seen them do something we have said they can't with the footage, I like to control exactly what they get to do with it.
Delivery on drives is such a nice concept but unfortunately like the quoted poster mentions drives are not ideal archive media... Tapes are still miles better in terms of long term robustness.
Now if SSD prove to be robust enough to be used in archival processes then i can see a completely tapeless environment taking the stage.
Promo departments will only every get a DVD with time code across it from me as all to often I have seen them do something we have said they can't with the footage, I like to control exactly what they get to do with it.
Delivery on drives is such a nice concept but unfortunately like the quoted poster mentions drives are not ideal archive media... Tapes are still miles better in terms of long term robustness.
Now if SSD prove to be robust enough to be used in archival processes then i can see a completely tapeless environment taking the stage.
Tommyg117
Aug 5, 09:51 PM
Come on iPod and iPhone! and Mac Pro with blu ray!
gkarris
Apr 5, 05:18 PM
will run only on iPhone 4 or iPad 2... :eek:
;)
;)
afrowq
Apr 6, 10:09 PM
I use FCP and am VERY hesitant to go back to Premiere. Haven't used it since Premiere 6.0, and definitely do NOT want to go back. I have tens of thousands of dollars invested in Apple and FCP, and it would be a huge pain to abandon them. But I absolutely will jump ship if the next update to FCP doesn't show me that Apple is still paying attention to the professional users that initially were the bread and butter of the company.
LagunaSol
Apr 6, 05:07 PM
It never ceases to amaze me at how many Android users have to flock to a site called "MacRumors" because they feel then need to lead us poor blinded Apple "fanboys" to the bright shining city on a hill that is Android paradise.
Android has taken fanboyism to epic new proportions. You can't go anywhere on the Web these days without the Android Brigade screaming at you about how awesome, "free" and "open" it is and how you should get on board. Just post the comment "ANDROID FTW!!!" on Engadget and watch the upvotes ensue. And while they're celebrating their epic market share gains, they are referring to iOS users as "sheep." Riiiight.
I thought the Apple vs Microsoft holy war was bad (and we have at least one pro MS astroturfer on this Apple-oriented site), but Google seriously has a mindlock on some of these people. (I'm not referring to all Android users, mind you, only the ranting/raving types (which seem to be the majority these days).
Android has taken fanboyism to epic new proportions. You can't go anywhere on the Web these days without the Android Brigade screaming at you about how awesome, "free" and "open" it is and how you should get on board. Just post the comment "ANDROID FTW!!!" on Engadget and watch the upvotes ensue. And while they're celebrating their epic market share gains, they are referring to iOS users as "sheep." Riiiight.
I thought the Apple vs Microsoft holy war was bad (and we have at least one pro MS astroturfer on this Apple-oriented site), but Google seriously has a mindlock on some of these people. (I'm not referring to all Android users, mind you, only the ranting/raving types (which seem to be the majority these days).
j26
Nov 29, 06:26 AM
My initial reservations about this story (the Zune/Universal payment) was much like eveybody's elses on these forums - very bad for us and screw 'em. But now that I've had time to think it through I actually think it's a fantastic idea.
Fantastic for the consumer and the artist, and potentially catastrophic for Universal Music.
Allow me to explain! Somebody buys a Zune or iPod that has had the 'Universal Tax' applied to it and then fills it with 30GB of stolen Universal music. It goes to court and the 'Pirate' successfully argues that he/she has already compensated UMG by buying the iPod/Zune. The judge agrees and piracy of Universal music becomes legal so long as it's for the 'UMG taxed' iPod or Zune. UMG collapses overnight and the artists get to release music on their terms and get more of the money that they deserve, not the faceless corporations and shareholders.
Why is this good for us? Because every entertainment company would become very wary of labelling us all 'pirates' and might actually realise that digital distribution at a fair price is their future.
D'oh somebody has already written something to this effect whilst I was typing!!
But do you really think a court will decide that way. Not likely, especially if it's a judge from the wealth maximisation school of thought.
Fantastic for the consumer and the artist, and potentially catastrophic for Universal Music.
Allow me to explain! Somebody buys a Zune or iPod that has had the 'Universal Tax' applied to it and then fills it with 30GB of stolen Universal music. It goes to court and the 'Pirate' successfully argues that he/she has already compensated UMG by buying the iPod/Zune. The judge agrees and piracy of Universal music becomes legal so long as it's for the 'UMG taxed' iPod or Zune. UMG collapses overnight and the artists get to release music on their terms and get more of the money that they deserve, not the faceless corporations and shareholders.
Why is this good for us? Because every entertainment company would become very wary of labelling us all 'pirates' and might actually realise that digital distribution at a fair price is their future.
D'oh somebody has already written something to this effect whilst I was typing!!
But do you really think a court will decide that way. Not likely, especially if it's a judge from the wealth maximisation school of thought.
DJMastaWes
Aug 26, 08:28 PM
On the day that the MBP's with merom go on sale, I wonder WHAT TIME Apples website will change and display the new products? :confused:
Probebly 10:00AM - 11:00AM Pacific time.
Probebly 10:00AM - 11:00AM Pacific time.
k995
Mar 23, 03:54 AM
To be fair, every smartphone on the market is an iPhone clone and every tablet an iPad clone, so it is all related to Apple in that way.
Complete BS "iphone" lookalikes date back to ebfore the iphone was anounced. So either some companys have people who can predict the future, or the design and tech behind the iphone was aused BEFORe it was released and apple just changed excisting designs.
Ipad is basicly a large smartphone.
Complete BS "iphone" lookalikes date back to ebfore the iphone was anounced. So either some companys have people who can predict the future, or the design and tech behind the iphone was aused BEFORe it was released and apple just changed excisting designs.
Ipad is basicly a large smartphone.
KilGil27
Aug 25, 07:39 PM
just because your battery falls within a range of serial numbers doesn't mean it needs to be replaced... if it tells you your laptop qualifies but your battery doesn't, then it was only the first part of the serial number... not the whole thing
louden
Aug 27, 06:36 PM
IF new MBPs are announced tomorrow
and
IF people who had ordered new MBPs see their ship dates slip
Then wouldn't that signal that prices won't change for the various models from existing prices AND that we shouldn't assume drastic shell changes? Sure they can give us easy access and a magnetic lid, but no options on a glossy screen and no black anodized aluminum.
If I were Apple, I'd hold off on the black aluminum for a few months to get a few of us suckers to buy two of the damn things... Malibu Stacy Marketing 101.
and
IF people who had ordered new MBPs see their ship dates slip
Then wouldn't that signal that prices won't change for the various models from existing prices AND that we shouldn't assume drastic shell changes? Sure they can give us easy access and a magnetic lid, but no options on a glossy screen and no black anodized aluminum.
If I were Apple, I'd hold off on the black aluminum for a few months to get a few of us suckers to buy two of the damn things... Malibu Stacy Marketing 101.
AppleScruff1
Apr 11, 05:46 PM
Iphone 5 on Sprint?
Verizon will buy Sprint since AT&T is buying TMobile.
Verizon will buy Sprint since AT&T is buying TMobile.
Bengt77
Aug 17, 04:11 PM
I'll just wait until the 4GHZ Mac Pro. I wonder what that bad boy can do.:rolleyes:
Yeah. I'm waiting for the 16GHz Mac Pro Super Duper Ultra Extreme. Boy, you don't even want to know what that machine will be able to do...
Yeah. I'm waiting for the 16GHz Mac Pro Super Duper Ultra Extreme. Boy, you don't even want to know what that machine will be able to do...
ddekker
Oct 22, 01:21 PM
I heard Leo Laporte talking about this on his KFI podcast... exciting... one question... how many softwares take advantage of multi cores? I understand that the OS can deal with it for multi tasking, but how many programs multi thread?
DD
DD
shigzeo
Aug 6, 09:04 AM
2 gig shuffle, same head amp out, same package, just 2 gigs and certainty that apple won't replace it with nano... or in september, october, november when the new nano comes out, let it have the same or upgraded shuffle head amp out.
for me, no new mac till next year at earliest so... bother it all, i will share in all of my macrumors' mates excitement!
for me, no new mac till next year at earliest so... bother it all, i will share in all of my macrumors' mates excitement!
deadpoet
Mar 31, 10:35 PM
Iphone are sold BOGO and even just free on contract over in other countries.
iPhone is sold as buy-one-get-one-free? In what country would that be?
iPhone is sold as buy-one-get-one-free? In what country would that be?
TripHop
Jun 10, 08:17 PM
Without any adapters and just the phone this is what Radio Shack says...
My phone was just replaced by Apple a few weeks ago. I am curious to see if the value drops as each day goes on. I don't want to be without a phone right now but that isn't a bad value being the value of them on eBay right now. Making $30-40 isn't worth the trouble on eBay. I will be trading mine in for sure.
http://i50.tinypic.com/1z9nbd.jpgThey're using different quote systems in the store. My pristine 16GB 3G with charger came in on the web @ $185.94 while the in store quote is only $141 and dropping daily according to the manager here. So I'm doing the FedEx pre-paid shipping to CEXCHANGE for the higher amount. Might have to wait for the gift card past the 24th but I'd rather get the higher amount. Plus my store manager says he'll hold my reserved iPhone until the gift card comes back if it doesn't arrive back in 2 weeks. :)
My phone was just replaced by Apple a few weeks ago. I am curious to see if the value drops as each day goes on. I don't want to be without a phone right now but that isn't a bad value being the value of them on eBay right now. Making $30-40 isn't worth the trouble on eBay. I will be trading mine in for sure.
http://i50.tinypic.com/1z9nbd.jpgThey're using different quote systems in the store. My pristine 16GB 3G with charger came in on the web @ $185.94 while the in store quote is only $141 and dropping daily according to the manager here. So I'm doing the FedEx pre-paid shipping to CEXCHANGE for the higher amount. Might have to wait for the gift card past the 24th but I'd rather get the higher amount. Plus my store manager says he'll hold my reserved iPhone until the gift card comes back if it doesn't arrive back in 2 weeks. :)
matticus008
Nov 29, 08:32 AM
I question any law/contract of this type on several grounds:
1 - How are the eligable rightsholders identified/compensated?
It depends on the system in place. In Canada, I believe the proceeds are turned over to the CRIA which is then responsible for distribution to its members through a process of their own selection (and not legally specified).
2 - How are they compensated equitably? Do you compensate Jay-Z and a classical artist the same? Which ever you prefer, Jay-Z sells more.
Again, it's up to the labels to decide. Once they get their cut from the CRIA, the label controls distribution within its internal channels. More popular artists on that label probably get a bigger cut than niche artists, but more importantly, individual artists likely never see much in the way of proceeds from this.
3 - If I've paid the royalty, don't I own rights to the music? Sure, I may need to find a copy of it, but I'm told that they're all over a thing called the "internet".
No. Most importantly, the royalty does not create a stipulation, or even a fiduciary relationship between you, the customer, and the CRIA. The exchange is between the company (Apple, RCA, Samsung, Microsoft, etc.) and the industry consortium.
Even setting that aside, you have no record of a transaction taking place at all. You can't claim to have paid royalties and have received nothing in return granting you any rights (one way to fight this is to demand that a given label supply you with a written document). Absent consideration, all you've essentially done is paid money for nothing--you didn't send the label a contract with your dollar (and you can't, since you're not paying them the dollar anyway, you'd be paying Apple). Your contribution isn't so much because you're pirating music, but because you could be. It's like putting down a deposit, having to pay insurance, or having a membership in a book club. You pay money, but that's not the end of the transaction. The only thing this royalty grants you is a tacit guarantee that Universal will continue to provide digital content.
1 - How are the eligable rightsholders identified/compensated?
It depends on the system in place. In Canada, I believe the proceeds are turned over to the CRIA which is then responsible for distribution to its members through a process of their own selection (and not legally specified).
2 - How are they compensated equitably? Do you compensate Jay-Z and a classical artist the same? Which ever you prefer, Jay-Z sells more.
Again, it's up to the labels to decide. Once they get their cut from the CRIA, the label controls distribution within its internal channels. More popular artists on that label probably get a bigger cut than niche artists, but more importantly, individual artists likely never see much in the way of proceeds from this.
3 - If I've paid the royalty, don't I own rights to the music? Sure, I may need to find a copy of it, but I'm told that they're all over a thing called the "internet".
No. Most importantly, the royalty does not create a stipulation, or even a fiduciary relationship between you, the customer, and the CRIA. The exchange is between the company (Apple, RCA, Samsung, Microsoft, etc.) and the industry consortium.
Even setting that aside, you have no record of a transaction taking place at all. You can't claim to have paid royalties and have received nothing in return granting you any rights (one way to fight this is to demand that a given label supply you with a written document). Absent consideration, all you've essentially done is paid money for nothing--you didn't send the label a contract with your dollar (and you can't, since you're not paying them the dollar anyway, you'd be paying Apple). Your contribution isn't so much because you're pirating music, but because you could be. It's like putting down a deposit, having to pay insurance, or having a membership in a book club. You pay money, but that's not the end of the transaction. The only thing this royalty grants you is a tacit guarantee that Universal will continue to provide digital content.
bigbossbmb
Aug 19, 08:19 PM
That's why I'm waiting until December 10 to mail in my Crossgrade form and DVD. I wanted to get all the updates until the offer expires December 20 on the install DVDs I get with my Crossgrade. Thanks for pointing out that detail. :)
I really doubt that they are going to put the new updates onto the crossgrade discs. I just got mine and it didn't include the 5.1.1 update...maybe a 5.2 update would be different. But I don't think it is really a reason to wait.
I really doubt that they are going to put the new updates onto the crossgrade discs. I just got mine and it didn't include the 5.1.1 update...maybe a 5.2 update would be different. But I don't think it is really a reason to wait.
other
Aug 7, 04:29 PM
*shrug* I don't think TM is a copy of System Restore. But I think how much that feature has caught on with Win users is also not unrelated to the presence of TM in Leopard. All's fair in love, war, and operating systems. :)
Well, do you think it's a copy of "Previous versions", which someone posted a link to in this thread?
(Here's the link again: http://arstechnica.com/news.ars/post/20060730-7383.html)
Well, do you think it's a copy of "Previous versions", which someone posted a link to in this thread?
(Here's the link again: http://arstechnica.com/news.ars/post/20060730-7383.html)
rdowns
Jun 8, 06:56 PM
Apple really geared up for this rollout. Look how many countries and how fast they're ramping up. I bet all their big retail partners have it on launch day. Those retailers want in on the iPhone rush too.:D
peharri
Aug 11, 01:10 PM
If Apple does decide they're going to compete with, rather than cooperate with, existing cellphone manufacturers, they will lose their dominance over online music.
They have to cooperate with cellphone manufacturers because MP3 playing cellphones will end up being the future of portable music. Apple cannot make its own phone and expect to have even 10% of the entire market. Without its dominant market share, the iTMS will end up looking less attractive to the music industry - an industry already, by all accounts, upset with and wanting to get away from, iTMS - and will be deserted faster than you can say "90% of phones support Windows Media".
I don't believe this story. It doesn't make sense. Jobs crowing over a new product which by rights ought to be veiled in secrecy strikes me as insane. Apple producing a cellphone strikes me as insane. If I were a shareholder, I'd be calling up Steve Jobs personally and demanding answers.
That said, if it's any good, it's quadband, and supports EDGE and Bluetooth (and maybe UMA if the carriers can get their fingers out), I might buy one.
They have to cooperate with cellphone manufacturers because MP3 playing cellphones will end up being the future of portable music. Apple cannot make its own phone and expect to have even 10% of the entire market. Without its dominant market share, the iTMS will end up looking less attractive to the music industry - an industry already, by all accounts, upset with and wanting to get away from, iTMS - and will be deserted faster than you can say "90% of phones support Windows Media".
I don't believe this story. It doesn't make sense. Jobs crowing over a new product which by rights ought to be veiled in secrecy strikes me as insane. Apple producing a cellphone strikes me as insane. If I were a shareholder, I'd be calling up Steve Jobs personally and demanding answers.
That said, if it's any good, it's quadband, and supports EDGE and Bluetooth (and maybe UMA if the carriers can get their fingers out), I might buy one.
